Phonotheque are proud to have been commissioned to score the jaw-dropping BBC EARTH: Micro Kingdoms - Senses. The perfect combination of the world renowned pedigree of BBC Natural History and the incredible new technology that is Magic Leap. A year in the making, and painstakingly created in conjunction with PRELOADED, the result is a seamlessly musically interactive, completely immersive experience like none before.

Also high on the list of our favourite things is the award-winning soundtrack for the Altitude Films ident - coming away with Best Original Composition at the Music + Sound Awards.

The Phonotheque showreel featuring a selection of recent projects.

Also a performance video of the theme written for the award-winning Like Father, Like Son trailer, shot by Alexander Thompson at Phonotheque Studios London.

We have been lucky enough to score two heavyweight projects for the BBC Natural History department, BBC EARTH. The first, a VR exploration of the underwater world off the Californian coast, LIFE IN VR, and just launched an extraordinary and groundbreaking XR project using the Magic Leap platform to bring the forests of the Amazon to life in three dimensions in your own home, MICRO KINGDOMS.

Brand new Idents for the youngest of the UK's terrestrial channels, Channel 5, with specially commissioned music by Phonotheque.

The project was led by Channel 5's Jo Bacon and Jody Malam, creative director at MTV, shot by Academy and directed by Si&Ad. The idents draw on the idea of Channel 5 making everyday life better, with a series of short films each featuring a moment of surprise.

A new departure for Phonotheque into the world of Contemporary Dance with this commission from Eloy Barrigan.

Working closely with Intermission for the last couple of years has brought a lot of great projects, not to mention awards, to Phonotheque's door. From World Cinema to Hollywood, it's always exciting to pick up a brief. Work is always a closely held secret until its launch, but there are some really amazing projects currently in the pipeline - watch this space.

Lots of work on some amazing projects from Fox Searchlight, not least the music for the Black Swan trailer… Phonotheque remixed orchestral work Eros by composer Ludovico Einaudi for this peach of a commission from Create - the remix later to be released on itunes at Einaudis request. More great commissions on high profile projects this year too...

Lots of work for MTV over the last couple of years - a few promos for car-crash telly show Geordie Shore, and a challenging but very enjoyable job creating a track for Music Matters - a promo series featuring young artists decribing why music is so important to them.

One from the archives - Theme music for the World Cinema series on Film Four - one of Phonotheque�s early commissions. Co-written with, and bass played by, Mr Felix Howard.

Work by Phonotheque listed by medium - alternatively to find any specific piece of work or info, please use the search function.

Delighted to have been commissioned to score this astonishing experience marrying the world-leading pedigree of BBC Natural History with the technologically ground-breaking Magic Leap platform. Created by Preloaded Ltd the process involved over ten months planning and rigorous process to achieve a musically seamless, interactive experience.

A lovely commission from Altitude Films and Intermission, the beautifully designed Altitude ident to score in 9.1 surround. Happily the score went on to win Best Original Composition at the Music and Sound Awards.

Remix of Yellowman's 'Zungguzungguguzungguzeng' for the trailer for Idris Elba's directorial debut, Yardie. Another great commission from Intermission Film.

An unusual but inspired request from Intermission Film, to bring out the hopeless sadness in Whitney Houston's voice for their trailer for the deeply moving documentary, Whitney.

This led to a commission by Sony Music in New York to remix the track in full.

Original score for the trailer for Nico Sabenorio's hard-hitting film, Juveniles.

The score for BBC Earth - Life in VR, the BBC's first development of their flagship natural history series into the world of virtual reality.

Recreation, production and mapping of 3D audio for the Tate's first ever VR exhibit: Modigliani's studio in Paris in 1919.

Music and sound design for Intermission Film's trailer for Brimstone

Brand new Idents for the youngest of the UK's terrestrial channels, Channel 5, with specially commissioned music by Phonotheque.

The project was led by Channel 5's Jo Bacon and Jody Malam, creative director at MTV, shot by Academy and directed by Si&Ad. Rather than focusing on the logo, the idents draw on the idea of Channel 5 making everyday life better, with a series of short films each featuring a moment of surprise.

Nominated for Best Original Music at the Golden Trailer Awards earlier this year, Like Father, Like Son has just won the Screen Awards Trailer of the Year prize.

Reflecting the title of the film, the movements of the right hand on the keyboard are mirrored by the left.

Idents for newly launched TV channel, Spike.

Music and sound design elements for the international trailer for Michau00ebl R. Roskams The Drop, James Gandolfinis final film. Commissioned by Intermission Films.

Nominated for Best Original Music at the Golden Trailer Awards earlier this year, Like Father, Like Son has just won the Screen Awards Trailer of the Year prize.

Reflecting the title of the film, the movements of the right hand on the keyboard are mirrored by the left.

More music commissioned by Intermission Flims for the trailer for Kore-Eda Hirozaku's masterpiece - I Wish

Just a single sound for this Tom Hardy film trailer - the bass throb in the closing seconds - proof that a little goes a long way.

Various sound effects and music for more trailers from Intermission Films

An amazing commission from Create - remixing Einaudi's Eros for the international trailer for Aronofsky's Black Swan.

Straightforward at first sight perhaps, but this track was fiendishly difficult to create. Supplied with a selection of film takes of drummer Ash freestyling for the cameras, a track had to be built out of clips - the problem being there had been no tempo guide for Ash to drum along to at the shoot, so nothing was at the same speed. So, having searched the takes for vaguely matching snippets, the process of writing a track around them began. Each drum had to be sampled or emulated to make a kit with which to build the new track, then the music parts performed and recorded. Painstaking, but a great result.

Sometimes some of your best work just doesn't make it to the final cut for whatever reason. Here are some of Phonotheque's favourite failed pitches...